WORKS

Subito, for chamber orquestra – 2023 (5:00)

Il Respiro del Silenzio, for chamber orchestra – 2016 (8:00)  Listen

Recife de Coral [Coral Reef] – 2014 (5:00)
Convergenza Sensibile [Sensitive Convergence] – 2006 (14:00) Listen
Modelagem XII – 1999 (9:00) Listen
O Fundo se Transforma em Sensação [The Background Becomes a Sensation], for string orchestra – 2002 (9:00)
Inverno [Winter], for string orchestra and piano or harpsichord – 2007 (11:00)
Otoño [Autumn], for string orchestra and piano or harpsichord – 2013 (6:00) Listen

Géia [Gaia] – 2014 (10:00)
Héroes [Heroes] – 2012 (8:00)
Diante do Abismo [In Front of the Abyss] – 2005 (6:00)

Composition for Musicians and Actors, opera-performance for chamber orchestra, chamber choir, and two actors – 1986 (1h 04min.)

Concerto for Piano and Orchestra Nº1 – 2009 (23:00) Listen

Impulso [Impulse] – 2009 (12:30)

Arara Azul [Hyacinth Macaw] – 2021 (3:00)

O Canto de Phoebus [The Sing of Phoebus] – 2012 (8:00)
Modelagem VI – 1996 (7:30)
De Profundis – 1989-2008 (6:00) Listen

Ridotta Alla Moderna Prattica, for soprano – 2006 (7:00) Listen
My Soule is Deepely Wounded, for mezzo-soprano and double bass – 2007 (6:30)
Nessun Maggior Dolore, for soprano and two guitars (or piano) – 2008 (7:00)

Sonora, for Alto Sax (solo) and fl, cl, perc, pno, vc, db (8:00) Listen
Orvalho [Dew], for violin, piano, cello (optional), and bass clarinet (optional) – 2014 (7:00)
Flying over the depths, for String Quartet (or 2vln+2vlc, or 2vln+vlc+db) – 2013 (6:00)
Brisa [Breeze], for flute, alto sax, clarinet, and bassoon – 2013 (6:00)
Duplum, for 1 euphonium, 2 tubas, piano, and electroacoustics – 2012 (7:00)
Cânticos [Canticles], for vibraphone and string quartet – 2011 (10:00)
Between the thunder and the echo, for cello and piano – 2011 (1:00) Listen
Feroce, for cello and piano – 2011 (9:00) Listen
Melody, for two to five instruments including a piano – 2010 (6:00) Listen
Ciaccona, for percussion and piano – 2007 (6:30) Listen
Modelagem XIII, for percussion and piano – 1998 (7:00)
Composition for piano and percussion – 1987 (10:00)
Composition for Saxophone and Piano – 1984-5 (6:00) Listen
Fábula [Fable], for 2 flutes and piano – 2007 (6:30)
Movement, for guitar and cello – 2011 (7:00)
O acorde invisível [The Invisible Chord], for violin, cello, and piano – 2010 (6:00) Listen
Fantasía [Fantasy], for violin, clarinet, cello, and piano – 2009 (10:00) Listen
Hieróglifo [Hieroglyph], for fl, ob, vibraph, mandolin, guit, harp, vln, vla, vc and db – 2009 (8:00) Listen
Autumn, for fl, eng. horn, bass cl, mandolin, guit, harp, pno, perc, vln, vla, vc, and db – 2011 (9’00”)
Ceremonia de Boda [Wedding Ceremony], for soprano, contralto, tenor, tpt, pno,and  vc – 2008 (14:00)
Triple, for violin, viola, and cello – 2008 (9:00)
Evolon, for fl, cl, vln, vlc, db and 2 perc – 1999 (8:00) Listen
Modelagem VII, for cl, sax alto, tpt, bass tbn, piano, vibraph, and perc – 1996 (7:30) Listen
Modelagem IV, for fl, ob, cl, bsn, 2 vln, and vla – 1995 (7:30)
Toccata for Wind Quartet, for fl, ob, cl, and bsn – 1987 (8:00)
Composition for Six Players, for ob, sax, bsn, perc, and pno four-hands – 1985 (6:30)

Rompe el Silencio [Break the Silence], for 2 percussionists – 2021 (4:00)

Trópicos [Tropics], for 4 percussionists (or more) – 2020 (4:00)

La Fuerza del Symbolo [The Power of the Symbol], for 3 percussionists and electroacoustics – 2015 (18:00), a set of four pieces that can be performed as autonomous work:

• El Presagio [The Omen]
• Viaje al mundo de los espíritus [A Journey into the world of the
  spirits]
• La Curación [The Healing] Listen
• El Sacrificio [The Sacrifice]

Hyper-Toccata, for solo Snare Drum and invisible instruments – 2014 (5:30)
Recycling Collaging Sampling, for 1 to 6 percussionists and electroacoustics – 2000-2006 (7:00), a set of three pieces that can be presented as autonomous work:

• Recycling, solo percussion (7:00)
• Collaging, percussion and electroacoustics (11:29)  Listen
• Sampling, solo electroacoustic (4:20)

Modelagem X-a, for vibraphone – 1997 (3:00) Listen
Modelagem VIII, for one percussionist and a computer – 1996 (5:30) Listen
Toccata for Solo Snare Drum, for one percussionist – 1989 (3:00)
Toccata II, for one percussionist – 1992-3 (5:00) Listen
Toccata I, for four percussionists – 1988 (4:30)
Composition for Five Percussionists – 1985 (3:00)
Ostinato Quartet, for four percussionists – 1984 (3:00)

Tanka, for cello – 2023 (5:00)

Aquário [Aquarius], for bass clarinet – 2022 (3:00)

Naturalis, for Bb clarinet – 2015 (9:00)

Trazo [Stroke], for accordion – 2014 (4:00) Listen
Acqua Alle Corde!, for cello and electroacoustic – 2012 (7:00)
Elegy, for cello and electroacoustic – 2009 (12:00) Listen
Two Takes, for cello – 2008 (11:00) Listen

Tríptico [Triptych], for guitar – 2007 (7:30)
Capriccio, for barroque guitar – 2007 (5:00)
O Crescimento da Árvore sobre a Montanha com Vento Penetrante [The Growth of a Tree on a Mountain with Penetrating Wind], for tuba or horn and electroacoustics – 2003 (12:00)

Perfurando a Linha [Drilling the Line], for viola – 2002 (5:30) – [arr. for violin, 2008]
A Impossibilidade de Reduzir a um Instante [The Impossibility of Reducing to an Instant], for clarinet – 2001 (11:00)

Mármore [Marble], for tuba and electroacoustics – 2001 (10:00) Listen

Modelagem III, for flute – 1995 (8:00) Listen
Modelagem I, for flute – 1993 (6:00)

Toccata for Solo Cello – 1989 (4:00)
Composition for Solo Flute – 1984 (2:00)

Composition for Piano IX – 2014 (3:00)
Composition for Piano VII – 2013 (4:00) Listen
Composition for Piano IV – 2011 (1:00) Listen

Composition for Piano VIII – 1985-2009 (3:00)

Composition for Piano II –1981-2009 (3:00) Listen

El Libro de Pegaso [The Book of Pegasus] (12 pieces) – 2009 (22:00)
Lamento for Piano – 2005 (7:00) Listen
Prelude – 2004 (5:00)
Improvisation on the Schoenberg’s Opus 33a – 2003 (6:30) Listen
Figuração Interpretada [Interpreted Figuration] – 2003 (14:00) Listen
Fragmentos Reduzidos de uma História Muito Longa [Reduced Fragments of a Very Large Story] – 2002 (6:30)
Ação Matéria Forma Função [Action Mater Form Function] – 2000 (4:00)
Modelagem IX – 1996 (6:30) Listen
Modelagem II – 1994 (12:30) Listen
Composition for Piano X – 1992 (8:00)
Composition for Piano III – 1984 (5:30) Listen

Curva ao Infinito [Curve toward the Infinite] – 2012 (7:20) Listen
Concerto for Piano and Electroacoustic Sounds – 2003-4 (19:25)

Composition for Piano Four Hands and Two Comments – 1985, 2005 (12:00)

Uma Nota Imaginária [A Fictional Note] – 2013 (5:30)

S’io esca vivo – 2010 (7:00) Listen

Happy Corner – 2012 (5:00)

Neon – 2024 (1:00) Listen

Dulzaina-Color – 2022 (5’07») Listen

Bioma [Biome] – 2020 (5:37)

Cana de Açúcar [Sugar Cane] – 2014 (6:50)
El Gran Zumbidor [The Great Zumbidor] – 2013 (8:00) Listen
Avenida Paulista [Paulista Avenue] – 2013 (7:00)
Aroma [Scent] – 2013 (4:00)
La Cascada [The Waterfall] – 2012 (6:00)
Da Vinci – 2012 (8:00)
Boto Cor-de-Rosa [Pink Dolphin] – 2011 (9:00)
Phoenix – 2011 (8:09)
Púrpura [Purple] – 2010 (7:32)
Memorias de un sueño [Remembering a Dream] – 2010 (30:15), a set of four autonomous pieces:

• Memorias de un sueño [Remembering a dream] (11:05)
• Memoria irreal sobre ola [Unreal remembering of a wave] (8:40) Listen
• Memoria Irreal sobre campana [Unreal remembering of a bell] (4:30) Listen
• Memoria Irreal sobre flauta [Unreal remembering of a flute] (6:00)

Cerca del Límite [Close to the Limit] – 2007 (4:24) Listen
Viaje al Interior – 2006 (23:00), in 5 movements:

• Palabras [Words]
• Monocromos [Monochromes]
• Figuras [Figures]
• Algodón [Wool]
• Movimiento [Movement]

Listening Beyond – 2006 (13:05)
A Experiência de uma Memória [The Experience of a Remembering] – 2005 (1:00)
Lamenti – 2004 (14:35)
Sentimiento Plástico [Plastic Feeling] – 2004 (8:43) Listen
Sampling – 2004 (4:20) – [3rd piece of Recycling Collaging Sampling, which can be performed as an autonomous work]
O Crescimento da Árvore sobre a Montanha [The Growth of a Tree on a Mountain] – 2003 (12:00) Listen
Trama Nudo Flujo [Weave Knot Flow] – 2000 (8:24) Listen
Fragmentation – 1999 (5:30) Listen
Modelagem XI – 1999 (7:24)
Modelagem V – 1995-6 (7:07)

Símbolo Ancestral [Ancestral Symbol] – 2019 Listen

Atrator Poético [Poetic Attractor] – 2005 – created by the Grupo SCIArts and Edson Zampronha

A Sala Percutida [The Plucked Room] – 2003

Cinco Puntos de Escucha de un Objeto Visual [Five Listening Points from a Visual Object] – 2001 – created by María José G. Lobato and Edson Zampronha

Justo Antes de los Bosques [Just Before the Forests] – 2011 (54:00) – 8 electroacoustic pieces created for the multimedia performance «Justo Antes de los Bosques», by TeatroDRAN:

• El Bosque de Metal [The Metal Forest] (6:00)
• La Cuerda y la Voz [The Rope and the Voice] (6:44)
• El Cantar de las Plumas [The Singing of the Feathers] (6:35)
• Baile Mágico [Magic Dance] (5:29)
• Sueño Inquieto [Restless Sleep] (6:52)
• Dueto [Duet] (7:04)
• Espejo en el Água [A Mirror in the Water] (7:06)
• Sonido Petrificado [Petrified Sound] (7:57)

5inco – 2010 (25:00) – created for the dance and music show «5.sobre.o.mesmo», based on a text by Gertrude Stein.

,E – 2008 (11:00)  – created for the Performance [Anti-Conference] “,E” – experimental music and dance show.

Modelagem – 2001 (10:00) – created by Bebel de Barros and Edson Zampronha

Original Music composed for Killrats, a short movie directed by Isaac Berrocal and produced by Isabel Medarde (Bambara Zinema): Miniatures for Killrats – 2012 (4’00»)

Original Music composed for La Trampa [The Trap], a short movie directed by Isaac Berrocal and produced by Isabel Medarde (Bambara Zinema): Five pieces for La Trampa – 2015 (6’00»)