WORKS

Orchestra

Recife de Coral [Coral Reef] – 2014 (5’00”)
Convergenza Sensibile [Sensitive Convergence] – 2006 (14’00”)
Modelagem XII – 1999 (9’00”)
O Fundo se Transforma em Sensação [The Background Becomes a Sensation], for string orchestra – 2002 (9’00”)
Inverno [Winter], for string orchestra and piano or harpsichord – 2007 (11’00”)
Otoño [Autumn], for string orchestra and piano or harpsichord – 2013 (6’00”)

Symphonic Band

Géia [Gaia] – 2014 (10’00”)
Héroes [Heroes] – 2012 (8’00”)
Diante do Abismo [In Front of the Abyss] – 2005 (6’00”)

Opera / Dramatic

Composition for Musicians and Actors, opera-performance for chamber orchestra, chamber choir and 2 actors – 1986 (1h 04′)

Concerto

Concerto for Piano and Orchestra Nº1 – 2009 (23’00”)

Choir and Orchestra

Impulso [Impulse] – 2009 (12’30”)

Choir

O Canto de Phoebus [The Sing of Phoebus] – 2012 (8’00”)
Modelagem VI – 1996 (7’30”)
De Profundis – 1989-2008 (6’00”)

Vocal

Ridotta Alla Moderna Prattica, for soprano – 2006 (7’00”)
My Soule is Deepely Wounded, for mezzo-soprano and double bass – 2007 (6’30”)
Nessun Maggior Dolore, for soprano and two guitars (or piano) – 2008 (7’00”)

Duos, Trios and Ensembles

Sonora, for Alto Sax (solo) and fl, cl, perc, pno, vc, db (8’00”)
Orvalho [dew], for clarinet, piano, bass clarinet (optional) and cello (optional)
Flying over the depths, for String Quartet (or 2vln+2vlc, or 2vln+vlc+db) – 2013 (6’00”)
Brisa [Breeze], for flute, alto sax, clarinet and bassoon – 2013 (6’00”)
Duplum, for 1 euphonium, 2 tubas, piano and electroacoustics – 2012 (7’00”)
Cânticos [Canticles], for vibraphone and string quartet – 2011 (10’00”)
Between the thunder and the echo, for cello and piano – 2011 (1’00”)
Feroce, for cello and piano – 2011 (9’00”)
Melody, for two to five instruments including a piano – 2010 (6’00”)
Ciaccona, for percussion and piano – 2007 (6’30”)
Modelagem XIII, for percussion and piano – 1998 (7’00”)
Composition for piano and percussion – 1987 (10’00”)
Composition for Saxophone and Piano – 1984-5 (6’00”)
Fábula [Fable], for 2 flutes and piano – 2007 (6’30”)
Movement, for guitar and cello – 2011 (7’00”)
O acorde invisível [The Invisible Chord], for violin, viola and piano – 2010 (6’00”)
Fantasía [Fantasy], for violin, clarinet, cello and piano – 2009 (10’00”)
Hieróglifo [Hieroglyph], for fl, ob, vibraph, mandolin, guit, harp, vln, vla, vc and db – 2009 (8’00”)
Autumn, for fl, eng.horn, bass cl, mandolin, guit, harp, pno, perc, vln, vla, vc and db – 2011 (9’00”)
Ceremonia de Boda [Wedding Ceremony], for soprano, contralto, tenor, tpt, pno, vc – 2008 (14’00”)
Triple, for violin, viola and cello – 2008 (9’00”)
Evolon, for fl, cl, vln, vlc, db and 2 perc – 1999 (8’00”)
Modelagem VII, for cl, sax alto, tpt, b.tbn, piano, vibraph, perc – 1996 (7’30”)
Modelagem IV, for fl, ob, cl, bsn, 2 vln, vla – 1995 (7’30”)
Toccata for Wind Quartet, for fl, ob, cl, bsn – 1987 (8’00”)
Composition for Six Players, for ob, sax, bsn, perc, pno four-hands – 1985 (6’30”)

Percussion

La Fuerza del Symbolo [The Power of the Symbol], for 3 percussionists and electroacoustics – 2015 (18’00”), a set of four pieces that can be performed as autonomous work:

  • El Presagio [The Omen]
  • Viaje al mundo de los espíritus [A Journey into the world of the
    spirits]
  • La Curación [The Healing]
  • El Sacrificio [The Sacrifice]

Hyper-Toccata, for solo Snare Drum and invisible instruments – 2014 (5’30”)
Recycling Collaging Sampling, for 1 to 6 percussionists and electroacoustic – 2000-2006 (7’00”), a set of three pieces that can be presented as autonomous work:

  • Recycling, solo percussion
  • Collaging, percussion and electroacoustic
  • Sampling, solo electroacoustic

Modelagem X-a, for vibraphone – 1997 (3’00”)
Modelagem VIII, for one percussionist and a computer – 1996 (5’30”)
Toccata for Solo Snare Drum, for one percussionist – 1989 (3’00”)
Toccata II, for one percussionist – 1992-3 (5’00”)
Toccata I, for four percussionists – 1988 (4’30”)
Composition for Five Percussionists – 1985 (3’00”)
Ostinato Quartet, for four percussionists – 1984 (3’00”)

Solo Instrument (with or without electroacoustic)

Trazo [Stroke], for solo accordion – 2014 (4’00”)
Acqua Alle Corde!, for cello and electroacoustic – 2012 (7’00”)
Elegy, for cello and electroacoustic – 2009 (12’00”)
Two Takes, for cello – 2008 (11’00”)
Toccata for Solo Cello – 1989 (4’00”)
A Impossibilidade de Reduzir a um Instante [The Impossibility of Reducing to an Instant], for clarinet – 2001 (11’00”)
Modelagem III, for flute – 1995 (8’00”)
Modelagem I, for flute – 1993 (6’00”)
Composition for Solo Flute – 1984 (2’00”)
Tríptico [Triptych], for guitar – 2007 (7’30”)
Capriccio, for barroque guitar – 2007 (5’00”)
Perfurando a Linha [Drilling the Line], for viola – 2002 (5’30”) – [arr. for violin, 2008]
Mármore [Marble], for tuba and electroacoustics – 2001 (10’00”)
O Crescimento da Árvore sobre a Montanha com Vento Penetrante [The Growth of a Tree on a Mountain with Penetrating Wind], for tuba or horn and electroacoustics – 2003 (12’00”)

Piano

Composition for Piano IX – 2014 (3’00”)
Composition for Piano VII – 2013 (4’00”)
Composition for Piano IV – 2011 (1’00”)
El Libro de Pegaso [The Book of Pegasus] (12 pieces) – 2009 (22’00”)
Lamento for Piano – 2005 (7’00”)
Prelude – 2004 (5’00”)
Improvisation on the Schoenberg’s Opus 33a – 2003 (6’30”)
Figuração Interpretada [Interpreted Figuration] – 2003 (14’30”)
Fragmentos Reduzidos de uma História Muito Longa [Reduced Fragments of a Very Large Story] – 2002 (6’30”)
Ação Matéria Forma Função [Action Mater Form Function] – 2000 (4’00”)
Modelagem IX – 1996 (6’30”)
Modelagem II – 1994 (12’30”)
Composition for Piano X – 1992(8’00”)
Composition for Piano VIII – 1985-2009 (3’00”)
Composition for Piano IV – 2011 (1’00”)
Composition for Piano III – 1984 (5’30”)
Composition for Piano II –1981-2009 (3’00”)

Piano and electroacoustic

Curva ao Infinito [Curve toward the Infinite] – 2012 (7’20”)
Concerto for Piano and Electroacoustic Sounds – 2003-4 (19’25”)

Piano Four Hands

Composition for Piano Four Hands and Two Comments – 1985, 2005 (12’00”)

Two Pianos

Uma Nota Imaginária [A Fictional Note] – 2013 (5’30”)

Three pianos

S’io esca vivo – 2010 (7’00”)

Toy Piano

Happy Corner – 2012 (5’00”)

Solo Electroacoustic

Cana de Açúcar [Sugar Cane] – 2014 (6’50”)
El Gran Zumbidor [The Great Zumbidor] – 2013 (8’00”)
Avenida Paulista [Paulista Avenue] – 2013 (7’00”)
Aroma [Scent] – 2013 (4’00”)
La Cascada [The Waterfall] – 2012 (6’00”)
Da Vinci – 2012 (8’00”)
Boto Cor-de-Rosa [Pink Dolphin] – 2011 (9’00”)
Phoenix – 2011 (8’09”)
Púrpura [Purple] – 2010 (7’32”)
Memorias de un sueño [Remembering a Dream] – 2010 (30’15”), a set of four autonomous pieces:

  • Memorias de un sueño [Remembering a dream] (11’05”)
  • Memoria irreal sobre ola [Unreal remembering of a wave] (8’40”)
  • Memoria Irreal sobre campana [Unreal remembering of a bell] (4’30”)
  • Memoria Irreal sobre flauta [Unreal remembering of a flute] (6’00”)

Cerca del Límite [Close to the Limit] – 2007 (4’24”)
Viaje al Interior – 2006 (23’00”), in 5 movements:

  • Palabras [Words]
  • Monocromos [Monochromes]
  • Figuras [Figures]
  • Algodón [Wool]
  • Movimiento [Movement]

Listening Beyond – 2006 (13’05”)
A Experiência de uma Memória [The Experience of a Remembering] – 2005 (1’00”)
Lamenti – 2004 (14’35”)
Sentimiento Plástico [Plastic Feeling] – 2004 (8’43”)
Sampling – 2004 (4’20”) – [3ª piece of Recycling Collaging Sampling, which can be performed as an autonomous work]
O Crescimento da Árvore sobre a Montanha [The Growth of a Tree on a Mountain] – 2003 (12’00”)
Trama Nudo Flujo [Weave Knot Flow] – 2000 (8’24”)
Fragmentation – 1999 (5’30”)
Modelagem XI – 1999 (7’24”)
Modelagem V – 1995-6 (7’07”)

Sound Installations

Atrator Poético [Poetic Attractor] – 2005 – created by the Grupo SCIArts and Edson Zampronha

A Sala Percutida [The Plucked Room] – 2003

Cinco Puntos de Escucha de un Objeto Visual [Five Listening Points from a Visual Object] – 2001 – created by María José G. Lobato and Edson Zampronha

Dance/Performance

Justo Antes de los Bosques [Just Before the Forests] – 2011 (54’00”) – 8 electroacoustic pieces created for the multimedia performance-show “Justo Antes de los Bosques”, by TeatroDRAN:

  • El Bosque de Metal [The Metal Forest] (6’00”)
  • La Cuerda y la Voz [The Rope and the Voice] (6’44”)
  • El Cantar de las Plumas [The Singing of the Feathers] (6’35”)
  • Baile Mágico [Magic Dance] (5’29”)
  • Sueño Inquieto [Restless Sleep] (6’52”)
  • Dueto [Duet] (7’04”)
  • Espejo en el Água [A Mirror in the Water] (7’06”)
  • Sonido Petrificado [Petrified Sound] (7’57”)

5inco – 2010 (25’00”) – created for the dance, lights and music show “5.sobre.o.mesmo”, based on a text of Gertrude Stein.

,E – 2008 (25’00”)  – created for the Performance [Anti-Conference] “,E” – experimental music and dance show.

Modelagem – 2001 (10’00”) – created by Bebel de Barros and Edson Zampronha

Film

Original Music composed for Killrats, a short movie directed by Isaac Berrocal and produced by Isabel Medarde (Bambara Zinema): Miniatures for Killrats – 2012 (4’00”)

Original Music composed for La Trampa [The Trap], a short movie directed by Isaac Berrocal and produced by Isabel Medarde (Bambara Zinema): Five pieces for La Trampa – 2015 (6’00”)

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