Il Respiro del Silenzio, for chamber orchestra – 2016 (8’00») Listen
Recife de Coral [Coral Reef] – 2014 (5’00»)
Convergenza Sensibile [Sensitive Convergence] – 2006 (14’00») Listen
Modelagem XII – 1999 (9’00») Listen
O Fundo se Transforma em Sensação [The Background Becomes a Sensation], for string orchestra – 2002 (9’00»)
Inverno [Winter], for string orchestra and piano or harpsichord – 2007 (11’00»)
Otoño [Autumn], for string orchestra and piano or harpsichord – 2013 (6’00») Listen
Géia [Gaia] – 2014 (10’00»)
Héroes [Heroes] – 2012 (8’00»)
Diante do Abismo [In Front of the Abyss] – 2005 (6’00»)
Composition for Musicians and Actors, opera-performance for chamber orchestra, chamber choir and 2 actors – 1986 (1h 04′)
Impulso [Impulse] – 2009 (12’30»)
Arara Azul [Hyacinth Macaw] – 2021 (3’00»)
O Canto de Phoebus [The Sing of Phoebus] – 2012 (8’00»)
Modelagem VI – 1996 (7’30»)
De Profundis – 1989-2008 (6’00») Listen
Ridotta Alla Moderna Prattica, for soprano – 2006 (7’00») Listen
My Soule is Deepely Wounded, for mezzo-soprano and double bass – 2007 (6’30»)
Nessun Maggior Dolore, for soprano and two guitars (or piano) – 2008 (7’00»)
Sonora, for Alto Sax (solo) and fl, cl, perc, pno, vc, db (8’00») Listen
Orvalho [Dew], for clarinet, piano, bass clarinet (optional), and cello (optional)
Flying over the depths, for String Quartet (or 2vln+2vlc, or 2vln+vlc+db) – 2013 (6’00»)
Brisa [Breeze], for flute, alto sax, clarinet, and bassoon – 2013 (6’00»)
Duplum, for 1 euphonium, 2 tubas, piano, and electroacoustics – 2012 (7’00»)
Cânticos [Canticles], for vibraphone and string quartet – 2011 (10’00»)
Between the thunder and the echo, for cello and piano – 2011 (1’00») Listen
Feroce, for cello and piano – 2011 (9’00») Listen
Melody, for two to five instruments including a piano – 2010 (6’00») Listen
Ciaccona, for percussion and piano – 2007 (6’30») Listen
Modelagem XIII, for percussion and piano – 1998 (7’00»)
Composition for piano and percussion – 1987 (10’00»)
Composition for Saxophone and Piano – 1984-5 (6’00») Listen
Fábula [Fable], for 2 flutes and piano – 2007 (6’30»)
Movement, for guitar and cello – 2011 (7’00»)
O acorde invisível [The Invisible Chord], for violin, cello, and piano – 2010 (6’00») Listen
Fantasía [Fantasy], for violin, clarinet, cello, and piano – 2009 (10’00») Listen
Hieróglifo [Hieroglyph], for fl, ob, vibraph, mandolin, guit, harp, vln, vla, vc and db – 2009 (8’00”) Listen
Autumn, for fl, eng. horn, bass cl, mandolin, guit, harp, pno, perc, vln, vla, vc, and db – 2011 (9’00”)
Ceremonia de Boda [Wedding Ceremony], for soprano, contralto, tenor, tpt, pno,and vc – 2008 (14’00”)
Triple, for violin, viola, and cello – 2008 (9’00»)
Evolon, for fl, cl, vln, vlc, db and 2 perc – 1999 (8’00») Listen
Modelagem VII, for cl, sax alto, tpt, b.tbn, piano, vibraph, and perc – 1996 (7’30») Listen
Modelagem IV, for fl, ob, cl, bsn, 2 vln, and vla – 1995 (7’30»)
Toccata for Wind Quartet, for fl, ob, cl, and bsn – 1987 (8’00»)
Composition for Six Players, for ob, sax, bsn, perc, and pno four-hands – 1985 (6’30»)
Rompe el Silencio [Break the Silence], for 2 percussionists – 2021 (4’00»)
Trópicos [Tropics], for 4 percussionists (or more) – 2020 (4’00»)
La Fuerza del Symbolo [The Power of the Symbol], for 3 percussionists and electroacoustics – 2015 (18’00»), a set of four pieces that can be performed as autonomous work:
Hyper-Toccata, for solo Snare Drum and invisible instruments – 2014 (5’30»)
Recycling Collaging Sampling, for 1 to 6 percussionists and electroacoustic – 2000-2006 (7’00»), a set of three pieces that can be presented as autonomous work:
Modelagem X-a, for vibraphone – 1997 (3’00») Listen
Modelagem VIII, for one percussionist and a computer – 1996 (5’30») Listen
Toccata for Solo Snare Drum, for one percussionist – 1989 (3’00»)
Toccata II, for one percussionist – 1992-3 (5’00») Listen
Toccata I, for four percussionists – 1988 (4’30»)
Composition for Five Percussionists – 1985 (3’00»)
Ostinato Quartet, for four percussionists – 1984 (3’00»)
Aquário [Aquarius], for bass clarinet – 2022 (3’00»)
Naturalis, for Bb clarinet – 2015 (9’00»)
Trazo [Stroke], for accordion – 2014 (4’00») Listen
Acqua Alle Corde!, for cello and electroacoustic – 2012 (7’00»)
Elegy, for cello and electroacoustic – 2009 (12’00») Listen
Two Takes, for cello – 2008 (11’00”) Listen
Toccata for Solo Cello – 1989 (4’00»)
A Impossibilidade de Reduzir a um Instante [The Impossibility of Reducing to an Instant], for clarinet – 2001 (11’00»)
Modelagem III, for flute – 1995 (8’00») Listen
Modelagem I, for flute – 1993 (6’00»)
Composition for Solo Flute – 1984 (2’00»)
Tríptico [Triptych], for guitar – 2007 (7’30»)
Capriccio, for barroque guitar – 2007 (5’00»)
Perfurando a Linha [Drilling the Line], for viola – 2002 (5’30») – [arr. for violin, 2008]
Mármore [Marble], for tuba and electroacoustics – 2001 (10’00») Listen
O Crescimento da Árvore sobre a Montanha com Vento Penetrante [The Growth of a Tree on a Mountain with Penetrating Wind], for tuba or horn and electroacoustics – 2003 (12’00»)
Composition for Piano IX – 2014 (3’00»)
Composition for Piano VII – 2013 (4’00») Listen
Composition for Piano IV – 2011 (1’00») Listen
El Libro de Pegaso [The Book of Pegasus] (12 pieces) – 2009 (22’00”)
Lamento for Piano – 2005 (7’00») Listen
Prelude – 2004 (5’00»)
Improvisation on the Schoenberg’s Opus 33a – 2003 (6’30») Listen
Figuração Interpretada [Interpreted Figuration] – 2003 (14’30») Listen
Fragmentos Reduzidos de uma História Muito Longa [Reduced Fragments of a Very Large Story] – 2002 (6’30»)
Ação Matéria Forma Função [Action Mater Form Function] – 2000 (4’00»)
Modelagem IX – 1996 (6’30») Listen
Modelagem II – 1994 (12’30») Listen
Composition for Piano X – 1992(8’00»)
Composition for Piano VIII – 1985-2009 (3’00»)
Composition for Piano IV – 2011 (1’00»)
Composition for Piano III – 1984 (5’30») Listen
Composition for Piano II –1981-2009 (3’00») Listen
Curva ao Infinito [Curve toward the Infinite] – 2012 (7’20») Listen
Concerto for Piano and Electroacoustic Sounds – 2003-4 (19’25»)
Composition for Piano Four Hands and Two Comments – 1985, 2005 (12’00»)
Uma Nota Imaginária [A Fictional Note] – 2013 (5’30»)
S’io esca vivo – 2010 (7’00») Listen
Happy Corner – 2012 (5’00»)
Dulzaina-Color – 2022 (5’07») Listen
Bioma [Biome] – 2020 (5’37»)
Cana de Açúcar [Sugar Cane] – 2014 (6’50»)
El Gran Zumbidor [The Great Zumbidor] – 2013 (8’00») Listen
Avenida Paulista [Paulista Avenue] – 2013 (7’00»)
Aroma [Scent] – 2013 (4’00»)
La Cascada [The Waterfall] – 2012 (6’00»)
Da Vinci – 2012 (8’00»)
Boto Cor-de-Rosa [Pink Dolphin] – 2011 (9’00»)
Phoenix – 2011 (8’09»)
Púrpura [Purple] – 2010 (7’32»)
Memorias de un sueño [Remembering a Dream] – 2010 (30’15»), a set of four autonomous pieces:
Cerca del Límite [Close to the Limit] – 2007 (4’24») Listen
Viaje al Interior – 2006 (23’00»), in 5 movements:
Listening Beyond – 2006 (13’05»)
A Experiência de uma Memória [The Experience of a Remembering] – 2005 (1’00»)
Lamenti – 2004 (14’35»)
Sentimiento Plástico [Plastic Feeling] – 2004 (8’43») Listen
Sampling – 2004 (4’20») – [3ª piece of Recycling Collaging Sampling, which can be performed as an autonomous work]
O Crescimento da Árvore sobre a Montanha [The Growth of a Tree on a Mountain] – 2003 (12’00») Listen
Trama Nudo Flujo [Weave Knot Flow] – 2000 (8’24») Listen
Fragmentation – 1999 (5’30») Listen
Modelagem XI – 1999 (7’24»)
Modelagem V – 1995-6 (7’07»)
Símbolo Ancestral [Ancestral Symbol] – 2019 Listen
Atrator Poético [Poetic Attractor] – 2005 – created by the Grupo SCIArts and Edson Zampronha
A Sala Percutida [The Plucked Room] – 2003
Cinco Puntos de Escucha de un Objeto Visual [Five Listening Points from a Visual Object] – 2001 – created by María José G. Lobato and Edson Zampronha
Justo Antes de los Bosques [Just Before the Forests] – 2011 (54’00») – 8 electroacoustic pieces created for the multimedia performance-show «Justo Antes de los Bosques», by TeatroDRAN:
5inco – 2010 (25’00») – created for the dance, lights and music show «5.sobre.o.mesmo», based on a text of Gertrude Stein.
,E – 2008 (25’00») – created for the Performance [Anti-Conference] “,E” – experimental music and dance show.
Modelagem – 2001 (10’00») – created by Bebel de Barros and Edson Zampronha
Original Music composed for Killrats, a short movie directed by Isaac Berrocal and produced by Isabel Medarde (Bambara Zinema): Miniatures for Killrats – 2012 (4’00»)
Original Music composed for La Trampa [The Trap], a short movie directed by Isaac Berrocal and produced by Isabel Medarde (Bambara Zinema): Five pieces for La Trampa – 2015 (6’00»)
